![]() Courtesy of Carolina Herrera.Ĭarolina Herrera’s roots are intrinsically linked to high society. ![]() Both looks from the Fall 2022 collection. Since joining Carolina Herrera, Wes Gordon has helped rework the look of the classic New York society gala gown. He makes clothes for people who want to feel the attributes they are empowered by are accentuated beautifully.” Wes understands a corset, he understands boning, he understands décolletage. “It’s not getting sucked into the ‘90s minimalism moment, it’s not getting sucked into kitsch, it’s really the right mix of classic and beautiful and…well, skin. The it-girl and former Gagosian gallery director served as the chairman of the Frick Young Fellows Ball earlier this spring and frequently wears Gordon’s work. “His work is really above trends,” says Sarah Hoover. In 2018, Gordon took over the Carolina Herrera brand after working directly under the designer herself. And there’s one person who has very much been at the center of it all these past few years: Wes Gordon. The purists of high society dressing are fading away. That old-school ideal of long gowns, neutral hues, preppy pantsuits, or demure tweed skirt suits? It’s dead. Look at any recent gala–the The Frick Collection’s Young Fellows Ball, for instance-and you’ll see it: higher hemlines, a blast of color, divisive silhouettes and a penchant for prints. The heralded style of high society is changing. If Gloria Vanderbilt had Instagram, would she have worn brighter colors? Bolder prints? Maybe a tulle puff or taffeta concoction or two?
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